In this section, you will learn how to adjust the relative velocities of the different parts and tracks to achieve a balanced result:
Each synthesizer generates the various voices (programs or patches) in a different way. This in turn means that some voices will naturally sound louder than others for the same velocity level.
This unavoidable problem has the undesirable side-effect that some voices in your sequence may be completely dominating the others. Now is the time to perform some rough adjustment to put the different parts into balance. You'll use a velocity adjustment feature of Cubase for which you set up a keyboard shortcut in section 1.
Warning. You might think this would be an opportunity to use the volume control setting provided by the Inspector. However, experience has shown that using the volume control at this time can prove to be very confusing and cause problems later on. For now, you should use velocity settings to adjust how loud a note sounds and leave the volume control for later.
At this stage, it's worth listening to the complete sequence several times and then deciding which tracks need to be raised or lowered in volume.
Follow these steps. Put a tick next to each one as you finish it:
You have already seen how the Key Editor can adjust the velocity of notes by using the cross hair tool. Cubase provides an alternative command which adjusts all the notes in a complete part. This is what you're going to use.
Follow these steps. Put a tick next to each one as you finish it:
You can repeat this process several times with the various tracks until you find a result that pleases you.
You're ready to proceed to the next section.